PC/CD Gamer UK 136/CD_Gamer_Issue_136_Disc_1_PCG136A0604_June_2004.iso/Content/Shareware - IF Quake.z5

Z-code for Z-machine | 2004-04-01 | 130.0 KB | 1,482 lines

Resident data ends at 3d20, program starts at 3d20, file ends at 20760

Starting analysis pass at address 3d1f

End of analysis pass, low address = 3d20, high address = 15e8d


[Start of text]

S001: "QUAKE"
S002: "
Copyright (c) 1996: id Software
"
S003: "991113"
S004: "6/10"
S005: "a"
S006: "---"
S007: "the"
S008: "The "
S009: "the "
S010: "a "
S011: "The "
S012: "the "
S013: "an "
S014: "The "
S015: "the "
S016: "some "
S017: "The "
S018: "the "
S019: "some "
S020: "N = next subject"
S021: "P = previous"
S022: "  Q = resume game"
S023: "Q = previous menu"
S024: "RETURN = read subject"
S025: "Score: "
S026: "Moves: "
S027: "Time: "
S028: "You can't go that way."
S029: "your former self"
S030: "yourself"
S031: "Darkness"
S032: "those things"
S033: "that"
S034: " or "
S035: "nothing"
S036: " is"
S037: " are"
S038: "is "
S039: "are "
S040: " and "
S041: "whom "
S042: "which "
S043: "(considering the first sixteen objects only)
"
S044: "
Would you like to RESTART, RESTORE a saved game"
S045: ", give the FULL score for that game"
S046: ", see some suggestions for AMUSING things to do"
S047: "[Your interpreter does not provide "undo".  Sorry!]"
S048: ""Undo" failed.  [Not all interpreters provide it.]"
S049: "Please give one of the answers above."
S050: "[You can't "undo" what hasn't been done!]"
S051: "[Can't "undo" twice in succession. Sorry!]"
S052: ""Oops" can only correct a single word."
S053: "It is pitch dark, and you can't see a thing."
S054: "To repeat a command like "frog, jump", just say "again", not "frog,
again"."
S055: "You seem to want to talk to someone, but I can't see whom."
S056: "To talk to someone, try "someone, hello" or some such."
S057: "I didn't understand that sentence."
S058: "I only understood you as far as wanting to "
S059: "You seem to have said too little!"
S060: "You can't use multiple objects with that verb."
S061: "You can only use multiple objects once on a line."
S062: "You excepted something not included anyway!"
S063: "You can only do that to something animate."
S064: "That's not something you need to refer to in the course of this game."
S065: "I didn't understand the way that finished."
S066: "Sorry, you can only have one item here. Which exactly?"
S067: "(Since something dramatic has happened, your list of commands has been
cut short.)"
S068: " (closed, empty and providing light)"
S069: "no pronouns are known to the game."
S070: "If you press Y to quit, I will summon Satan all over your hard drive! "
S071: "Are you sure you want to restart? "
S072: "The game file has verified as intact."
S073: "The game file did not verify as intact, and may be corrupt."
S074: "Attempt to begin transcript failed."
S075: "Attempt to end transcript failed."
S076: "You're carrying too many things already."
S077: "You can't put something on top of itself."
S078: "You can't put something inside itself."
S079: "That would scarcely empty anything."
S080: " for a while, but don't achieve much."
S081: "You can only get into something free-standing."
S082: "But you aren't in anything at the moment."
S083: "You'll have to say which compass direction to go in."
S084: " is now in its normal "brief" printing mode, which gives long
descriptions of places never before visited and short descriptions otherwise."
S085: " is now in its "verbose" mode, which always gives long descriptions of
locations (even if you've been there before)."
S086: " is now in its "superbrief" mode, which always gives short descriptions
of locations (even if you haven't been there before)."
S087: "Darkness, noun.  An absence of light to see by."
S088: "seem to be something you can unlock."
S089: "seem to be something you can lock."
S090: "This dangerous act would achieve little."
S091: "Nothing practical results from your prayer."
S092: "The dreadful truth is, this is not a dream."
S093: "Digging would achieve nothing here."
S094: "You jump on the spot, fruitlessly."
S095: "You would achieve nothing by this."
S096: "There's nothing suitable to drink here."
S097: "But there's no water here to carry."
S098: "Real adventurers do not use such language."
S099: "Violence isn't the answer to this one."
S100: "There's not enough water to swim in."
S101: "There's nothing sensible to swing here."
S102: "That would be less than courteous."
S103: "Is that the best you can think of?"
S104: "You lack the nerve when it comes to the crucial moment."
S105: "I don't think much is to be achieved by that."
S106: "You aren't feeling especially drowsy."
S107: "You discover nothing of interest in "
S108: "  [Read special word at word number "
S109: "  [Outside parsing routine returned "
S110: "  [Scope routine returned multiple-flag of "
S111: "  [Calling NounDomain on location and actor]
"
S112: "  [ND appended to the multiple object list:
"
S113: "[Gluing in inference with pattern code "
S114: "   [Adjudicating match list of size "
S115: "   Single best-scoring object returned.]
"
S116: "   Unable to choose best group, so ask player.]
"
S117: "   Best choices are all from the same group.
"
S118: "   Revising multiple object list of size "
S119: "   Token 2 plural case: number with actor "
S120: "   Scoring match list: indef mode "
S121: " is rejected (doesn't match descriptors)
"
S122: "   Best guess ran out of choices
"
S123: "    Match filtered out: token filter "
S124: "Try typing "showverb" and then the name of a verb."
S125: "It appears that that last blow was too much for you. I'm afraid you are
dead."
S126: "You are in perfect health.
You can be killed by a serious wound."
S127: "You have a light wound, which will be cured after "
S128: " moves.
You can be killed by a serious wound."
S129: "You have a serious wound, which will be cured after "
S130: " moves.
You can be killed by one more light wound."
S131: "preposition not found (this should not occur)"
S132: "Property value not routine or string: ""
S133: "Entry in property list not routine or string: ""
S134: "Too many timers/daemons are active simultaneously.  The limit is the
library constant MAX_TIMERS (currently "
S135: "" can only be used as a player object if it has the "number" property"
S136: "Attempt to take random entry from an empty table array"
S137: " is not a valid direction property number"
S138: "The player-object is outside the object tree"
S139: "Tried to set a non-existent pronoun using SetPronoun"
S140: "A 'topic' token can only be followed by a preposition"
S141: "[Random number generator now predictable.]"
S142: "chews on your armor a bit, but fails to harm you."
S143: "nips at your feet, only barely scratching you for one point."
S144: "attacks your armor viciously, but succeeds only in drooling on its
stylish veneer."
S145: "takes a bite at your leg, chomping "
S146: "hangs on your arm a bit, but can't quite seem to grasp the concept of
armor."
S147: "chomps off part of your hand for "
S148: "thinks he managed to hurt you, but in actuality only scratched your
armor a bit. You don't have the heart to tell him otherwise, so you act like it
hurt really, really badly."
S149: "does no damage at all. Poor, poor doggie."
S150: "only manages to dent your badass armor."
S151: "shoots across your shoulder, hitting you for "
S152: " points. It's only a flesh wound."
S153: "only manages to dent your swanky armor."
S154: " points. It won't kill you, but you'd really rather it not happen
again."
S155: "only manages to scuff your life-saving armor."
S156: "grazes your scalp, hitting you for "
S157: "only manages to scuff your life-saving armor."
S158: "hits you right in the thigh, taking off "
S159: " points. That could have been much worse."
S160: "only manages to dent your stylish armor."
S161: " points. It won't kill you, but you'd really rather it not happen
again."
S162: "only manages to dent your apparently superior armor."
S163: " points. You'll be fine tomorrow, but it really smarts."
S164: "only manages to scuff your life-saving armor."
S165: "shoots you in the pinky, causing you to wail like a little girl and
taking off "
S166: "only manages to scuff your life-saving armor."
S167: "hits you square in the chest, missing any major organs, but still
inflicting "
S168: "only manages to scuff your life-saving armor."
S169: "hits you right in the ear, taking it clean off. It's a good thing those
Medkits are so effective, because you've really grown quite attached to that
ear."
S170: "only manages to scuff your life-saving armor."
S171: "
Welcome to QUAKE!
Newbie tips: Type "
S172: "You find yourself in a room with three corridors, each leading to a
slipgate. On either side of you are stone pyres, their flames flickering
softly. Directly in front of you is a metal structure with the word QUAKE
carved into it. The structure splits into three corridors, to the northwest,
north and northeast respectively."
S173: "It's a simple enough torch, flickering quietly to itself and not
bothering you."
S174: "This game is lit well enough as is, so you really won't be needing a
torch. Besides, you're much too badass to let a measly Grue kill you."
S175: "It's big and metal, with the word QUAKE carved into it."
S176: "Yeah, I'd like to see you try, Hercules."
S177: "You are standing in a dingy room with flickering lights. There are tools
everywhere and wooden planks scattered across the floor. The slipgate you
entered through lies directly behind you to the south."
S178: "There is a small bowl of pudding sitting on the table, looking awfully
tasty."
S179: "The pudding is white, creamy and very likely extremely yummy."
S180: "How can you have any pudding if you don't eat your meat?"
S181: "The pudding is simply heavenly...it's far better than you could ever
possibly have hoped it could be. It makes this whole adventure of yours
worthwhile."
S182: "You emerge from the slipgate into a room with four hallways. To the
West, a metallic frame beckons you, with bright red arrows pointing to it,
making you wonder why on Earth someone would bother putting bright red arrows
on a doorway. To the Northwest is an oddly shaped doorway covered in some sort
of latticework, with checkered stone steps leading you into a gothic hallway.
To the Northeast is a box-like doorway adorned with what can only be described
as "Gothic Aztec" wallpaper, and a pair of pseudo-Nordic runes. And to the East
is a plain old wooden doorway, with plain old wooden steps. You can see the
flickering light from a torch coming down its hallway.

Directly beneath your feet is a metal plate with something scratched on its
surface.

Behind you to the south lies the slipgate you just emerged from."
S183: "They're bright, red arrows. Perhaps you should follow them to the west?"
S184: "They're just decoration, man! Can't you find something more important to
do?"
S185: "Plain old latticework. If you want more than that, I'm afraid you'll
have to enable OpenGL."
S186: ""Gothic Aztec" is so last year."
S187: "You have an advanced degree in Nordic languages, so it's only a trivial
matter to read the runes that are affixed to the doorway. As you suspected,
they don't mean a damn thing."
S188: "They're stone and you step on them."
S189: "As you enter the West portal room, the words "THIS IS THE FIRST EPISODE:
DIMENSION OF THE DOOMED" materialize in front of you. After briefly panicking
slightly, you continue, when all of a sudden the words, "THE MYSTICAL PAST
COMES ALIVE..." pop up. Carefully, doing your best not to trip any more mystery
words, you tiptoe your way into the room.

The room is dimly lit, and one light keeps flickering on and off in a strobe
effect that you find to be quite annoying after a few seconds. The walls are
metallic and rusted, a theme you see repeated on the slipgate directly in front
of you to the north. "
S190: "Metal, rusted walls."
S191: "If the light keeps flickering like that, it's going to give you a
migraine."
S192: "You walk past the lattice archway into a gray corridor with flickering
torches and a checkerboard floor. As you make your way down the hallway, the
words "THIS IS THE SECOND EPISODE: THE REALM OF BLACK MAGIC. ANCIENT CASTLES
AND STRANGE BEASTS AHEAD..." pops into your head. There is a large metal door
directly to the North at the end of the hallway, and the way you came in
beckons to the southeast."
S193: "You know, if you had some giant chess pieces, this would be really
cool."
S194: "The large metal door has no keyhole that you can see, nor does there
seem to be any opening mechanism. Perhaps all you need to do is simply walk
through it?"
S195: "You walk up the rather dull wooden steps to come to a plain room with
two flickering torches and a big pool of water in the center. As you approach,
the words "THIS IS THE FOURTH EPISODE: THE ELDER WORLD. YOUR WORST NIGHTMARES
COME TRUE..." appears in your mind.

You find this peculiar, because as of this morning your worst nightmare was
mysterious words appearing in your mind.

The only path by land is the one by which you arrived here, to the west."
S196: "The pool of water looks inviting. Perhaps you should take a swim?"
S197: "The pool of water sits there motionless, just asking to be dived into."
S198: "They're made of wood and you step on them."
S199: "You dive into the water, only to discover that it in fact has no bottom,
but rather is puzzlingly suspended in mid-air. You think about this for a
moment, before realizing that while this water may not be bound by the laws of
physics, you are, and the next thing you know, you are falling.

You land right on your rear, causing you no small amount of discomfort. That's
sure to leave a mark, and it robs you of 10 hit points."
S200: "You find yourself in a circular stone room with wooden planks positioned
around, presumably holding the ceiling (and by proxy, the water that's just
hovering there) in place. Directly in front of you to the north, at the top of
some plain wooden stairs, lies a small room with metal bars blocking the
entrance. Behind you to the south lies a plain old boring (but still quite
pretty) slipgate."
S201: "They're just plain old wooden planks. You want to know more? Install
OpenGL and look for yourself."
S202: "You're no scientician, but something just seems odd to you about a large
pool of water hovering over your head."
S203: "It's much too high to attempt that."
S204: "As you walk up the plain wooden stairs, the metal bars retract into
holes in the ceiling, like some sort of medieval supermarket door. To call the
area you walk into next a room would be a deep insult to rooms everywhere (and
lord knows they're an easily offended lot). This closet has two very small
bodies writhing in agony on the walls and an archaic-looking metal slipgate in
front of you to the north. And that's it. Clearly the designers of this room
expected you to be wowed by the aquatic passageway they installed in lieu of a
normal door to the previous room."
S205: "As you ascend the steps to this corridor, the words "THIS IS THE THIRD
EPISODE: THE NETHERWORLD.  PRIMAL FEAR IN A STRANGE DIMENSION..." pops into
your head. You really wish that sort of thing would stop. It's quite
disconcerting.

Directly in front of you, past a metal grate that flows over some lava to the
north, lies what appears to be a thick  metal door of some kind. The path by
which you entered lies behind you to the southwest."
S206: "It's too far down for you to reach, or else you'd have yourself a nice,
steaming cup of lava."
S207: "It's too far down for you to reach, or else you'd have yourself a nice,
steaming cup of lava."
S208: "It's big and metal, and is the only thing keeping you from falling to
your certain death in boiling hot lava."
S209: "It's big and metal, and doesn't seem to have any keyhole or doorknob or
anything else you would expect to find in a door."
S210: "As you approach the door, it opens for you automatically. How
convenient. You continue up the stone steps to come to a rusty slipgate
directly in front of you to the north."
S211: "OpenGL does nothing for this slipgate. Whereas the other slipgates
you've seen are intoxicatingly easy on the eyes, this one is rustic, to say the
least. It consists of two metal grates, which are so rusted they look as if
they're bleeding, connected by an equally ugly mass of machinery and wires.
There seems to be a monitor of some sort in the center of the slipgate,
although it appears to be merely painted on."
S212: "As you walk towards the door, the thick metal frames swing open,
disappearing into the walls on either side of you. You follow the metal bridge
around the corner and up, eventually coming to an empty and poorly lit room
containing a single, rusted slipgate in front of you to the north."
S213: "As you walk down the northwest corridor, the phrase "THIS HALL SELECTS
EASY SKILL" mysteriously pops into your head. Directly in front of you to the
north is a slipgate which pulsates mysteriously. Carved into each side is the
word "EASY". There is a stained glass window here depicting a flaming torch,
which, in an odd bit of artistic redundancy, is directly opposite an actual
flaming torch. The opening of the structure you came from lies behind you to
the southeast."
S214: "As you make your way into the north corridor, the phrase "THIS HALL
SELECTS NORMAL SKILL" manifests itself in front of you. The effect is quite
disconcerting. To the north is a pulsating, rectangular slipgate with the word
"NORMAL" etched on each side. To your right and left are stone carvings of some
sort of demon. The path you followed to get here lies behind you to the south."
S215: "You are standing in a dank and disturbing corridor. Above, pinned to the
walls on either side of you are emaciated bodies that seem to be writhing in
agony. Directly in front of you to the north is a slipgate marked "HARD"."
S216: "You are standing in a dank and disturbing corridor. The floor is cracked
and broken directly in front of you, creating a gap that prevents you from
reaching the slipgate at the end. As you approach the gap, the phrase, "THIS
HALL SELECTS THE HARD SKILL" hits you like a ton of bricks. Above, pinned to
the walls on either side of you are emaciated bodies that seem to be writhing
in agony. You might be more comfortable going back the way you came to the
southwest."
S217: "What are you, an idiot? That's the lava!"
S218: "Hey, you were warned. It's your life."
S219: "A single gib bounces in and out of the lava, leaping up as if to grasp
for freedom before plunging back down."
S220: "A smallish bit of meat, you stare at it in mid flight for a moment and
wonder what miracle of physics is causing it to leap so intoxicatingly."
S221: "You grab the giblet in mid bounce. It's a bit warm, but then, that's the
way you like your meat."
S222: "Mmm...meat. It's a bit salty and stringy, but by and large, it's some
fine eatins."
S223: "It's lava. Orange-reddish, flowing and probably quite hot. I wouldn't go
in there if I were you."
S224: "You bend down to take a sip of the lava (as it looks
ever-so-refreshing), and as you cup some in your hand, you're amazed to
discover that it's BOILING HOT LAVA, you nitwit.

This brazen act of stupidity costs you ten points off your health."
S225: "I tell you what: if you can come up with a way to take a pit of boiling
lava, I'll let you take it with you. I'll just wait while you come up with
something."
S226: "What are you, an idiot? That's the lava!"
S227: "Hey, you were warned. It's your life."
S228: "You scoff at the pathetic lava as you jump over to the other side. You
can now proceed through the slipgate to the north."
S229: "You step out of the slipgate into a metallic corridor with rusted walls
and flickering lights. On either side of you, the metal floor is raised,
leading to an indentation in the wall, which is filled with some kind of vague
electronics of some sort. At the north end of the room are metal structures,
which are arranged in what appear to be steps of some kind. The only visible
path from this room is to the west, where a thick metal door lies. "
S230: "You are standing in a room with a metallic corridor containing rusted
walls and flickering lights. On either side of you, the metal floor is raised,
leading to an indentation in the wall, which is filled with some kind of vague
electronics of some sort. At the north end of the room are metal structures,
which are arranged in what appear to be steps of some kind. The only visible
path from this room is to the west, where a thick metal door lies. "
S231: "Like everything in this dank world you find yourself in, the door is an
uninviting shade of brown. The door consists of two interlocking pieces of
metal, which look quite heavy. It's quite likely that this is the automated
sort of door, which is quite convenient for you."
S232: "As you peer over to take a look, the words "YOU CAN JUMP UP HERE..." pop
into your mind."
S233: "You jump onto the indentation, squeezing yourself in it. As you manuever
your way into the tight passageway, the words "SHOOT THIS SECRET DOOR" appear
in your mind."
S234: "It's a rather plain looking indentation in the wall. Not nearly as
exciting as the one on the other side of the room."
S235: "There's really no reason to get into this thing. It wouldn't be very
comfortable. Now that right indentation...that's the money one."
S236: "These metal platforms are arranged to look like stairs. If this is a
secret, it's clearly not a very well hidden one."
S237: "As you approach the structure, the words "YOU CAN JUMP ACROSS..."
materialize in your mind. Looking behind you, you notice that there is a
slightly raised portion of the floor. As you are of at least moderate
intelligence, you take a few steps back, get a good running start, and leap
across to the metal platform. You then walk up the virtual stairs and follow it
around the corner until you reach a small inlet."
S238: "There's nothing here really, save for the blue armor that's floating in
front of you. Behind you to the south lies the room you just came from."
S239: "The blue armor rotates invitingly."
S240: "You grab the blue armor and slap it on your chest. While the blue
clashes slightly with your otherwise brown appearance, its benefits more than
outweigh any snickers you'll hear because of it."
S241: "It really looks just like the rest of this passageway, except for the
fact that these mysterious voices in your head are telling you to shoot it."
S242: "It's a rather plain and nondescript box containing shotgun shells. You'd
really have been happier if there were gold doubloons back here, but hey -- you
earned the right to be bored by this gift, dammit."
S243: "This room is really more of an inlet off the previous corridor, as it
consists only of some metal walls, and a bright red button that is flashing."
S244: "It's a shiny red button, which blinks on and off. On. Off. On. Off. On.
Off..."
S245: "Now what would you want to do with that?"
S246: "A grunt is standing here, armed with a shotgun and looking rather
surly."
S247: "I don't think he would like that very much."
S248: "The grunt doesn't look amused at all. He has "
S249: "The elevator springs to life, jerking sharply and then moving downward.
You walk out of the elevator and find yourself in an open yard consisting of
two patches of grass connected by a rusted iron bridge. On the other side of
the bridge, a Grunt and Rottweiler are patrolling back and forth and they
notice your presence pretty quickly. Above you, the sky is a peaceful shade of
gray, with clouds moving by so fast you feel like you're watching a time-lapse
film. To your north is the entrance to a large, metallic complex, while the
elevator you emerged from lies behind you to the south."
S250: "The elevator springs to life, jerking sharply and then moving downward.
You walk out of the elevator and find yourself in an open yard consisting of
two patches of grass connected by a rusted iron bridge. Above you, the sky is a
peaceful shade of gray, with clouds moving by so fast you feel like you're
watching a time-lapse film. To your north is the entrance to a large, metallic
complex, while behind you to the south lies the elevator you just emerged
from."
S251: "You are standing in an open yard consisting of two patches of grass
connected by a rusted iron bridge. On the other side of the bridge, a Grunt and
Rottweiler are patrolling back and forth and they notice your presence pretty
quickly. Above you, the sky is a peaceful shade of gray, with clouds moving by
so fast you feel like you're watching a time-lapse film. To your north is the
entrance to a large, metallic complex, and an elevator to take you back up lies
to the south."
S252: "You are standing in an open yard consisting of two patches of grass
connected by a rusted iron bridge.  Above you, the sky is a peaceful shade of
gray, with clouds moving by so fast you feel like you're watching a time-lapse
film. To your north is the entrance to a large, metallic complex, while an
elevator to take you back up lies to the south."
S253: "All the leaves are brown, and the sky is gray."
S254: "If I could pluck the sky down and give it to you I would, my dear."
S255: "It's a shiny red button, which blinks on and off. On. Off. On. Off. On.
Off..."
S256: "Now what would you want to do with that?"
S257: "Ah...that's better. Your health increases by 20 points."
S258: "Ah...that's better. Your health increases by 20 points."
S259: "You can see a pair of Medkits sitting here."
S260: "There is a Medkit here, sitting all by its lonesome self."
S261: "Your standard issue first person shooter medkit. You don't know how it
works, but damn does it ever come in handy."
S262: "Ah...that's better. Your health increases by 20 points."
S263: "A Grunt is on patrol here, armed with a shotgun and looking rather
surly. As you enter the room, he looks up and turns in your direction."
S264: "I don't think he would like that very much."
S265: "The grunt doesn't look amused at all. He has "
S266: "The Rottweiler sniffs you immediately and runs in your direction"
S267: "
The Rottweiler, smelling the presence of fresh meat, starts running towards
you, his tongue flapping out of his drooling mouth."
S268: "I don't think he would like that very much."
S269: "The rottweiler is angry and hungry. He has "
S270: "You are standing at the entrance to what appears to be some sort of
military complex. This room consists of thick metal walls that are covered in a
fine, brown rust, and lumpy metal floors. Directly in front of you is a big
hazardous materials canister. To your right is a pillar, containing several
monitors that appear to be painted on. There is a corridor leading deeper into
the complex to the west, and a door leading back out into the yard to the
south. "
S271: "It's probably a load-bearing column, as it clearly has no technical
value and adds little to the overall aesthetic of the room."
S272: "Now why would you want to try a thing like that?"
S273: "The Rottweiler sniffs you immediately and runs in your direction"
S274: "I don't think he would like that very much."
S275: "The rottweiler is angry and hungry. He has "
S276: "A Grunt is on patrol here, armed with a shotgun and looking rather
surly. As you enter the room, he looks up and turns in your direction."
S277: "I don't think he would like that very much."
S278: "The grunt doesn't look amused at all. He has "
S279: "It's a metal canister, marked with a red hazardous materials seal. Just
in case it wasn't absolutely obvious that you really don't want to be near this
thing, the seal is flashing in a rather effective shade of red."
S280: "It's a metal canister, marked with a red hazardous materials seal. Just
in case it wasn't absolutely obvious that you really don't want to be near this
thing, the seal is flashing in a rather effective shade of red."
S281: "Do you not see the big "DO NOT TAKE THIS CANISTER YOU MORON" seal
flashing on its side?"
S282: "Your standard issue first person shooter medkit. You don't know how it
works, but damn does it ever come in handy."
S283: "Ah...that's better. Your health increases by 20 points."
S284: "You are standing in a metal corridor consisting of several raised metal
structures. The walls are heavily rusted, and the floor is metal and lumpy.
There are some metal stairs in front of you, continuing the corridor to the
north, and a path leading back to the entrance to the east."
S285: "The Rottweiler sniffs the air a few times immediately and runs in your
direction"
S286: "I don't think he would like that very much."
S287: "The rottweiler is angry and hungry. He has "
S288: "A Grunt is standing here, leaning against a wall, clearly sleeping on
the job. As you approach, he wakes up and turns in your direction."
S289: "I don't think he would like that very much."
S290: "The grunt doesn't look amused at all. He has "
S291: "As you enter the room, a Rottweiler that is perched on top of a metal
structure catches your scent and begins running back and forth. There's clearly
no way for him to reach you, but he doesn't seem to know that yet."
S292: "You can't reach him, and even if you could, he'd probably bite your hand
off."
S293: "The Rottweiler has worked himself into a frenzy. He has "
S294: "They're metal and you stand on them."
S295: "You are standing at the top of some metal stairs, facing a giant gap,
which is filed with some brown, ugly water. There are some stairs to the north
leading down into the water, and a path leading back to the south. On the wall
to your right is a button that's blinking softly to itself."
S296: "The water pit is filled with a murky, pea-soup colored liquid that has a
rather uninviting odor."
S297: "Ouch! This water hurts!

You feel five health points get eaten away. Maybe you should consider leaving?
"
S298: "Ouch! You know, you will die if you don't get out of this water."
S299: "Ouch! There goes another five points..."
S300: "It's bad enough to look at...you want to take it with you?"
S301: "only manages to dent your badass armor."
S302: "shoots across your shoulder, hitting you for "
S303: " points. It's only a flesh wound."
S304: "only manages to dent your swanky armor."
S305: " points. It won't kill you, but you'd really rather it not happen
again."
S306: "only manages to scuff your life-saving armor."
S307: "grazes your scalp, hitting you for "
S308: "only manages to scuff your life-saving armor."
S309: "hits you right in the thigh, taking off "
S310: " points. That could have been much worse."
S311: "only manages to dent your stylish armor."
S312: " points. It won't kill you, but you'd really rather it not happen
again."
S313: "only manages to dent your apparently superior armor."
S314: " points. You'll be fine tomorrow, but it really smarts."
S315: "only manages to scuff your life-saving armor."
S316: "shoots you in the pinky, causing you to wail like a little girl and
taking off "
S317: "only manages to scuff your life-saving armor."
S318: "hits you square in the chest, missing any major organs, but still
inflicting "
S319: "only manages to scuff your life-saving armor."
S320: "hits you right in the ear, taking it clean off. It's a good thing those
Medkits are so effective, because you've really grown quite attached to that
ear."
S321: "only manages to scuff your life-saving armor."
S322: "I don't think he would like that very much."
S323: "only manages to dent your badass armor."
S324: "shoots across your shoulder, hitting you for "
S325: " points. It's only a flesh wound."
S326: "only manages to dent your swanky armor."
S327: " points. It won't kill you, but you'd really rather it not happen
again."
S328: "only manages to scuff your life-saving armor."
S329: "grazes your scalp, hitting you for "
S330: "only manages to scuff your life-saving armor."
S331: "hits you right in the thigh, taking off "
S332: " points. That could have been much worse."
S333: "only manages to dent your stylish armor."
S334: " points. It won't kill you, but you'd really rather it not happen
again."
S335: "only manages to dent your apparently superior armor."
S336: " points. You'll be fine tomorrow, but it really smarts."
S337: "only manages to scuff your life-saving armor."
S338: "shoots you in the pinky, causing you to wail like a little girl and
taking off "
S339: "only manages to scuff your life-saving armor."
S340: "hits you square in the chest, missing any major organs, but still
inflicting "
S341: "only manages to scuff your life-saving armor."
S342: "hits you right in the ear, taking it clean off. It's a good thing those
Medkits are so effective, because you've really grown quite attached to that
ear."
S343: "only manages to scuff your life-saving armor."
S344: "I don't think he would like that very much."
S345: "only manages to dent your badass armor."
S346: "shoots across your shoulder, hitting you for "
S347: " points. It's only a flesh wound."
S348: "only manages to dent your swanky armor."
S349: " points. It won't kill you, but you'd really rather it not happen
again."
S350: "only manages to scuff your life-saving armor."
S351: "grazes your scalp, hitting you for "
S352: "only manages to scuff your life-saving armor."
S353: "hits you right in the thigh, taking off "
S354: " points. That could have been much worse."
S355: "only manages to dent your stylish armor."
S356: " points. It won't kill you, but you'd really rather it not happen
again."
S357: "only manages to dent your apparently superior armor."
S358: " points. You'll be fine tomorrow, but it really smarts."
S359: "only manages to scuff your life-saving armor."
S360: "shoots you in the pinky, causing you to wail like a little girl and
taking off "
S361: "only manages to scuff your life-saving armor."
S362: "hits you square in the chest, missing any major organs, but still
inflicting "
S363: "only manages to scuff your life-saving armor."
S364: "hits you right in the ear, taking it clean off. It's a good thing those
Medkits are so effective, because you've really grown quite attached to that
ear."
S365: "only manages to scuff your life-saving armor."
S366: "I don't think he would like that very much."
S367: "
As you enter the room, you notice three Grunts that are sitting here. They look
up at you, and seem to be quite annoyed that you have shown up like this,
inadvertently disrupting their otherwise peaceful game of Diamondback."
S368: "
Three angry grunts are here, clearly not amused by your intrusion."
S369: "Two angry grunts are here, and they ain't gonna take no guff from you."
S370: "There is one angry grunt here, who seems to be taking out his loss on
you."
S371: "It's a shiny red button, which blinks on and off. On. Off. On. Off. On.
Off..."
S372: "Now what would you want to do with that?"
S373: "You press the button, which causes a platform to slide out and cover up
the noxious water pit. Phew. You can now continue on to the north."
S374: "You've already pushed this button!"
S375: "You are standing in a straight hallway with metal walls and floor. It
continues on to the north, or back to the south."
S376: "A Grunt is standing here, patrolling his way down the hallway. He
doesn't seem to have noticed you yet."
S377: "
The Grunt swings around and raises his shotgun menacingly."
S378: "I don't think he would like that very much."
S379: "The grunt doesn't look amused at all. He has "
S380: "You are standing at the top of a ramp leading downwards to the north. As
you approach the ramp, a light goes on above you. There is a curious looking
red button here, blinking quietly to itself."
S381: "You are standing at the top of a ramp leading downwards to the north. A
path leads back out to the south.  There is a curious looking red button here,
blinking quietly to itself."
S382: "A shiny red button is sitting here, blinking to itself quietly. On. Off.
On. Off. On. Off."
S383: "It's a shiny red button, which blinks on and off. On. Off. On. Off. On.
Off..."
S384: "Now what would you want to do with that?"
S385: "As you press the shiny red button, the button turns yellow and the words
"TWO MORE TO GO..." pop into your head."
S386: "As you press the shiny red button, the button turns yellow and the words
"ONE MORE TO GO..." pop into your head."
S387: "As you press the shiny red button, the button turns yellow and the words
"SEQUENCE COMPLETE!" pop into your head. In the distance, you can see that a
door has opened up at the end of the ramp."
S388: "A Grunt is standing here, patrolling his way down the hallway. He
doesn't seem to have noticed you yet."
S389: "
The Grunt swings around and raises his shotgun menacingly."
S390: "I don't think he would like that very much."
S391: "The grunt doesn't look amused at all. He has "
S392: "You are standing in the middle of a lengthy ramp that twists around and
leads downwards to the north. As you continue your descent, a light goes on
above you. A path back out lies behind you to the south. There is a curious
looking red button here, blinking quietly to itself."
S393: "You are standing in the middle of a lengthy ramp that twists around and
leads downwards to the north, or back up behind you to the south. There is a
curious looking red button here, blinking quietly to itself."
S394: "A shiny red button is sitting here, blinking to itself quietly. On. Off.
On. Off. On. Off."
S395: "It's a shiny red button, which blinks on and off. On. Off. On. Off. On.
Off..."
S396: "Now what would you want to do with that?"
S397: "As you press the shiny red button, the button turns yellow and the words
"TWO MORE TO GO..." pop into your head."
S398: "As you press the shiny red button, the button turns yellow and the words
"ONE MORE TO GO..." pop into your head."
S399: "As you press the shiny red button, the button turns yellow and the words
"SEQUENCE COMPLETE!" pop into your head. In the distance, you can see that a
door has opened up at the end of the ramp."
S400: "A Grunt is standing here, patrolling his way down the hallway. He
doesn't seem to have noticed you yet."
S401: "
The Grunt swings around and raises his shotgun menacingly."
S402: "I don't think he would like that very much."
S403: "The grunt doesn't look amused at all. He has "
S404: "You are standing at the bottom of a long and twisting ramp. As you
continue your descent, a light goes on above you. You can see an opening in the
wall in front of you to the north.  There is a curious looking red button here,
blinking quietly to itself."
S405: "You are standing at the bottom of a long and twisting ramp. As you
continue your descent, a light goes on above you.  There is a curious looking
red button here, blinking quietly to itself."
S406: "You are standing at the bottom of a long and twisting ramp. You can see
an opening in the wall in front of you to the north. There is a curious looking
red button here, blinking quietly to itself."
S407: "You are standing at the bottom of a long and twisting ramp. The only
perceivable path lies behind you to the south. There is a curious looking red
button here, blinking quietly to itself."
S408: "A shiny red button is sitting here, blinking to itself quietly. On. Off.
On. Off. On. Off."
S409: "It's a shiny red button, which blinks on and off. On. Off. On. Off. On.
Off..."
S410: "Now what would you want to do with that?"
S411: "As you press the shiny red button, the button turns yellow and the words
"TWO MORE TO GO..." pop into your head."
S412: "As you press the shiny red button, the button turns yellow and the words
"ONE MORE TO GO..." pop into your head."
S413: "As you press the shiny red button, the button turns yellow and the words
"SEQUENCE COMPLETE!" pop into your head. In the distance, you can see that a
door has opened up at the end of the ramp."
S414: "A Grunt is standing here, patrolling his way down the hallway. He
doesn't seem to have noticed you yet."
S415: "
The Grunt swings around and raises his shotgun menacingly."
S416: "I don't think he would like that very much."
S417: "The grunt doesn't look amused at all. He has "
S418: "You are standing in a white and utterly bare room, with no perceivable
exit. The doorway you came in from has completely disappeared behind you. In
fact the only thing in the room at all (aside from yourself) is a grungy
looking chap who has his fingers tented in a Mr. Burns-esque pose."
S419: "Seeing you suddenly appear in front of him apparently comes as no
surprise to this person, as he nods, acknowledging your presence."
S420: "Somehow I don't think that's a very good idea."
S421: "
The person stands up from his chair and begins to walk around the room,
stroking his dingy beard."
S422: "
The person turns towards you and says, "I suppose you probably want to know
what's going on here." He ponders this for a moment."
S423: "
The stranger continues, "The game you are currently playing elaborate as it may
be, is in actuality an April Fool's gag." The stranger continues to walk around
the room."
S424: "
"You see, this whole thing," he gestures around the completely empty white
room, "is nothing more than a joke." He stops his pacing for a moment. "Or at
least, that was the idea, anyway.""
S425: "
"Odd as it may seem, the idea of an interactive fiction version of the original
Quake struck me as being a very, very funny idea. And so I created everything
you see here. Well, not everything you see HERE, because obviously there's
nothing to see in this room, but I'm referring to the game as a whole.""
S426: "
"And so here you are, having completed the entire game, as it currently stands.
I must confess, I didn't actually expect you to get this far. But I suppose I
underestimated you.""
S427: "
"So I tell you what -- you've been an awfully good sport here, and you've
played this far without killing yourself, so I'm going to let you 'win' this
game. For now, anyway. But hopefully you've enjoyed playing this as much as
I've enjoyed creating it, as I do believe I will continue this project. I will
of course confess to the portions of it that are intended to be part of the
April Fool's gag (if you really put this in the same directory as your Quake
PAK files, I've got a bridge to sell you.""
S428: "
"So thank you for playing. Be sure to check the IF Quake site periodically for
a new release. It may take me a while, but there's a lot of stuff I intend to
put in. Besides...you haven't even seen a Shambler yet. Thanks again, and good
night.""
S429: "The Creator is not the cleanest looking fellow you've ever seen. But he
does carry himself in an oddly regal fashion."
S430: "The slipgate glows with an otherworldly sheen. It's really a shame you
don't have OpenGL installed, as it's quite lovely to look at. This slipgate is
marked "NORMAL", which would seem to suggest that it's a normal slipgate, and
not one of those ones that, you know, kills you or Shub Niggurath or
something."
S431: "The slipgate glows with an otherworldly sheen. It's really a shame you
don't have OpenGL installed, as it's quite lovely to look at."
S432: "OpenGL does nothing for this slipgate. Whereas the other slipgates
you've seen are intoxicatingly easy on the eyes, this one is rustic, to say the
least. It consists of two metal grates, which are so rusted they look as if
they're bleeding, connected by an equally ugly mass of machinery and wires.
There seems to be a monitor of some sort in the center of the slipgate,
although it appears to be merely painted on.

As you look over at the slipgate, the words "WALK INTO THE SLIPGATE TO START
PLAYING QUAKE!" appear. Perhaps if you walk into the slipgate these words will
stop tormenting you?"
S433: "The slipgate glows with an otherworldly sheen. It's really a shame you
don't have OpenGL installed, as it's quite lovely to look at. This slipgate is
marked "EASY", which probably means walking through it won't be much of a
challenge, certainly not for an experienced person like yourself."
S434: "The slipgate glows with an otherworldly sheen. It's really a shame you
don't have OpenGL installed, as it's quite lovely to look at. This slipgate is
marked "HARD", which means you might have some difficulty passing through it.
Then again, probably not. It's just a bloody slipgate, not a Rubik's Cube."
S435: "The slipgate glows with an otherworldly sheen. It's really a shame you
don't have OpenGL installed, as it's quite lovely to look at. You spend a few
moments admiring its nicely rendered glory."
S436: "The tools and wooden planks are the usual things you'd expect to see at
a construction site. You've seen them plenty of times before, and have no real
need to spend any more time admiring them."
S437: "Don't you have better things to do than clean up this room?"
S438: "The two pyres are made of stone, and contain a small, almost miniscule
flame. You're not missing much by not being able to see this, believe me."
S439: "Directly in front of you, a slovenly and obese fellow wearing
dirt-covered jeans, a stained white t-shirt and a bright red trucker hat is
sitting at a desk fiddling with some nails and a hammer. He turns around to
look at you, and you see that he's wearing a name tag on his chest that reads
"Sal", which you assume is either his name, or the name of the guy he stole it
from."
S440: "Even if you could fit Sal into your pocket, he probably wouldn't like
the idea very much."
S441: "
You don't even want to know what Sal just did. Trust me."
S442: "
Sal replies, "Heys! Yous shouldn't be heres. You shoulds just goes backs the
ways you cames in untils this here rooms is completeds.""
S443: "Sal is fat, ugly, and quite possibly rather slow. He's everything you
wish you could be."
S444: "*********************************************************************
***               Welcome to Quake Shareware v1.01!               ***
*********************************************************************

Please consult the README.TXT file for the latest-breaking information on this
Quake version!

Quake System Requirements
-------------------------
IBM PC and Compatibles
Pentium processor or better
VGA Compatible Display or better
8MB RAM minimum, 16MB recommended (16 MB required for running under Win95)
CD-ROM drive Required
MS-DOS 5.0 or better or Windows 95 (does NOT run under Windows NT)
Hard Drive (30MB for Shareware, 80 MB for Registered)

*** IMPORTANT!: Quake requires a floating point processor.
Systems that do not have an FPU installed will not run Quake -- at all.

Thank you,

id Software, inc.
"
S445: "The plate is a bit blurry and rusted, but you can clearly see that the
text scratched into its surface is pure gibberish. Perhaps some meaning lies in
these crude scratchings, but you certainly aren't going to spend the time
bothering to figure it out when you have all these lovely hallways to explore."
S446: "The two stone demon's heads depict an angry, horned beast, with his
mouth agape and blood covering his lips and chin, suggesting that not only has
he recently been involved in some sort of violent, bloody feast, but that he
really should be properly instructed on table manners."
S447: "They're nailed to the wall. They ain't leaving without a fight, and you
have better things to do than to try and steal someone else's demon heads."
S448: "The window is nicely crafted, if slightly dull."
S449: "The bodies are crucified to the walls on your right and left. They seem
to be emaciated, but also rather small in comparison to your ample girth,
suggesting that these were perhaps some unfortunate Leprechauns who had one too
many drinks on St. Patrick's Day. Interestingly, they appear to be thrashing
about in near unison, making you wonder if they were in fact some sort of
synchronized agony team."
S450: "They're too high up for you to grab, and even if you could, the guilt
you'd feel at breaking the symmetry of this display would be too much to bear."
S451: "A large and heavy weapon capable of firing nine-inch-nails out of its
two symmetrical rectangular barrels. You wouldn't want to get one in your eye.
"
S452: "A nice long-range weapon. Not nearly as effective as the Super Shotgun,
but it's effective enough for its primary purpose. "
S453: "Ah, your trusty hatchet. It's purely a melee weapon, which means it's
not really a good idea to use it when you have other options, but every now and
then you like to get your hands dirty, and really, there's nothing more
satisfying then the "thunk!" sound you hear when striking a blow with your axe.
Its metal blade is caked with dry blood, although that could just as easily be
from the peanut butter and jelly sandwich you cleaved in twain with it over
lunch."
S454: "Your standard issue first person shooter medkit. You don't know how it
works, but damn does it ever come in handy."
S455: "Ah...that's better. Your health increases by 20 points."
S456: "Greetings, your omnipotence. Hey, wait a minute...cut that out!"
S457: "You suddenly feel like you can walk through walls.
After a moment,the feeling passes. I guess you're just going to have to play
this the hard way."
S458: ""All the news that's fit to..." etcetera, etcetera."
S459: "I hear it gets you chicks. Is that true? Well obviously not, or else why
would you be sitting here typing useless things into a Z-Machine like this?"
S460: "Hey, what did I tell you about that?"
S461: "You will not sue. You will not sue. You will not sue."
S462: "A bloody egomaniac who can't resist the urge to include his own name
in...huh? Oh, I didn't say anything."
S463: "Woah. Did you feel that? That must have been at least a 3.7."
S464: "You pull your trusty copy of the Necronomicon out of your robes and
begin to chant.

Alsi ku nushi ilani mushiti
Itti kunu alsi mushitum kallatum kattumtum
Alsi bararitum qablitum u namaritum
Ashshu kashshaptu u kashshipanni
Eli nitum ubbiraanni
Ili-ia u Ishtari-ia ushis-su-u-eli-ia
Eli ameri-ia amru-usanaku
Imdikula salalu musha u urra
Qu-u imtana-allu-u pi-ia
Upu unti pi-ia iprusu

The world around you begins to shake and shudder...in the distance you can hear
thunder...could it be?

Yes!

Yes!

Cthulhu is awake!

Cthulhu is awake!"
S465: "We're not worthy. We're not worthy."
S466:
"------------------------------------------------------------------------------
-
                           Quake 1.09 by id Software
-------------------------------------------------------------------------------


IF Quake ported and compiled by jason bergman
(http://www.loonyboi.com/if/quake/)

ASCII id Software logo by Frans P. DeVries of 3DGamers.com. Used with
permission.

Zork Extensions for Inform by Joe Merical ([e-mail])

Special thanks to Simon Carless for beta testing!

Quake (c) 1996 - 2004 id Software. You will not sue. You will not sue. You will
not sue.

--

Please do not redistribute this file (either online or on physical media)
without express permission of the author!

Thank you for playing IF Quake!"
S467: "
Sal replies, "Heys! Yous shouldn't bes heres. Yous shoulds just goes backs the
ways you cames ins untils this here rooms is completeds.""
S468: "Yeah, I get those all the time too. It's best to ignore them."
S469: "Stuck already, eh? Well, that's okay, I'm here to help. Actually, I'm
here for much more interesting things than this but, hey, you're the player.

You are playing an Interactive Fiction adventure written by one Jason Bergman.
In this game, you'll want to walk around by typing in the directions you wish
to walk in (to go to the North, type "North" or simply "n" and so on). You can
take items by using the "take" command (also useful: "take all"), and
manipulate them using commands like, "eat", "read", "use", "attack" and so on.

For more useful information, consult the official IF Quake homepage at
http://www.loonyboi.com/if/quake/ or visit one of the many, many IF sites on
the web.

Interactive FictionTM: it's your friend!"
S470: "What exactly would you like to jump on, and why?"
S471: "What exactly would you like to jump down from?"
S472: "Deciding that life isn't worth living, you attempt to snuff yourself
out. You're new at this sort of thing, so you succeed in taking off ten health
points, but fail in your ultimate goal of actually ending your life."
S473: "In Utah, it is illegal to detonate a nuclear weapon. Possession is
legal, but detonation is not. Comforting, huh?"
S474: "Kakorrhaphiophobia is the fear of failure or defeat."
S475: "The first United States coast to coast airplane flight occurred in 1911
and took 49 days."
S476: "In Missouri, there is a special tax exclusively for single men. Of
course, being only one dollar per year, some might argue the benefits are well
worth the extra taxes."
S477: "A ball of glass will bounce higher than a ball of rubber. A ball of
solid steel will bounce higher than one made entirely of glass."
S478: "Virginia O'Hanlon Douglas was the eight-year-old girl who, in 1897,
asked the staff of The New York Sun whether Santa Claus existed. In the
now-famous editorial, Francis Church assured Virginia that yes, indeed, "there
is a Santa Claus.""
S479: "Selenophobia is the fear of the moon."
S480: "Leonardo da Vinci could write with one hand and draw with the other at
the same time."
S481: "Xanthophobia is a fear of the color or word yellow. Also known as "Alan
Scott syndrome". (If you caught that reference give yourself +2 geek points)."
S482: "The People's Republic of China recently admitted that a long-held myth
was indeed false: the Great Wall of China can not be seen from outer space."
S483: " health points left. You might want to get that taken care of.

You have "
S484: " health points left. Face it. You've seen better days.

You have "
S485: "You are in pristine condition, with a full 100 health points. Now if
only you didn't smell so badly...

You have "
S486: " health points left. You're a little banged up, but you'll live.

You have "
S487: " health points left. Battle scarred, but relatively healthy.

You have "
S488: " health points left. You're a bit tired, but you'll live.

You have "
S489: "Sal responds with a belch of his own, at least ten times louder and more
potent. Clearly you have met your match."
S490: "Shoot what at what with what? What?"
S491: "Feeling like a big man, you strike Sal, dealing him a fatal blow. Just
before he dies, Sal cries out, "Heys...whats gives...?"

Nicely done there, killing an unarmed slob like that."
S492: " from his health and killing him. Nicely done there, Leatherface."
S493: " from his health and killing him. Nice shootin', Tex."
S494: " from his health and killing him. Frag-tastic."
S495: " from his health and killing him. Move over, Thresh."
S496: " from his health and killing him. He never stood a chance."
S497: " from his health and killing him. You spit on his corpse."
S498: "That wouldn't be very productive."
S499: "The Creator turns towards you. "Well if you're going to act that way,
I'll just have to take that away from you.""
S500: "Hah HAH! You attack the pitiful Text File, chopping it in twain. That'll
teach developers to include such wasteful pieces of virtual text with their
software programs."
S501: "KaBLAM! You attack the pitiful Text File, blowing it to smithereens.
That'll teach developers to include such wasteful pieces of virtual text with
their software programs."
S502: "With a mighty blow you swing your Axe at your target. This accomplishes
nothing whatsoever. Perhaps you should find something better to do with your
time?"
S503: "Blam! Niiice shot there homeboy. Maybe you ought to save your ammo for
some actual enemies?"
S504: "You hit the hazardous canister right on its side, causing a major chain
reaction. Unfortunately for you, you're the only person left standing in here,
and you're hit full-force with the explosion, causing 25 points of damage."
S505: "You hit the hazardous canister right on its side, causing a major chain
reaction. Luckily for you, there's a Grunt here to take the brunt of the
explosion, killing him instantly. You manage to walk away with a mere five
points taken off your health."
S506: "You hit the hazardous canister right on its side, causing a major chain
reaction. Luckily for you, there's a Rottweiler here to take some of the
explosion, killing him instantly. Still, it doesn't absorb all of it, and  walk
away with ten points taken off your health."
S507: "You hit the hazardous canister right on its side, causing a major chain
reaction. Thankfully, there's both a Rottweiler and a Grunt here to absorb the
explosion, killing them both instantly, and leaving you without a scratch."
S508: "You fire at the door, which surprisingly results in some blood (or
possibly blood-colored rust) to spatter off of it. After that moment of
ickiness, the door moves backwards and slides into the wall, revealing a small
alcove containing a single box. Right on cue, the words "YOU HAVE FOUND A
SECRET AREA" pop into your head. You stifle the urge to yell out NO KIDDING
MORON."
S509: "You already shot that door. Let's not go crazy here with the shooting."
S510: "What? You didn't actually expect that to do anything, did you? What kind
of a game do you think this is, anyway?"
S511: "You suddenly feel peculiar...is if...no...it couldn't be...yes! You can
FLY! You can FLY! Oh, it's so beautiful up here...oh wait, no, there you
go...sorry. Guess it was just a temporary thing, huh?"
S512: "Hey you tried twice already! Stop flogging that horse."
S513: "                                               .od8888
"
S514: "           .od88bo.                     ...ood88888888
"
S515: "         d8888888888b               888888888888888888
"
S516: "        d888888888888b              888888888888888888
"
S517: "        88888888888888              888888888888888888
"
S518: "        Y888888888888P                   8888888888888
"
S519: "         Y8888888888P                     888888888888
"
S520: "             Y88P                         888888888888
"
S521: "                             ...oooo..    888888888888
"
S522: "         ....oooo88888   .o8888888888888o.888888888888
"
S523: "     88888888888888888.d888888888888888888888888888888
"
S524: "     888888888888888P'88888888888888888888888888888888
"
S525: "     88888888888888P  8888888888P       Y8888888888888
"
S526: "         888888888P   888888888           888888888888
"
S527: "          88888888    88888888            888888888888
"
S528: "          88888888    88888888            888888888888
"
S529: "          88888888    88888888            888888888888
"
S530: "          88888888.   88888888.           888888888888
"
S531: "          888888888   88888888b          .888888888888
"
S532: "          888888888b  888888888b..    ..o8888888888888
"
S533: "         d8888888888b. Y888888888888888888888888888888b
"
S534: "     ood88888888888888b.   8888888888888888888888888888
"
S535: "     8888888888888888888bo Y88888888888P  8888888888

"
S536: "    ---------------------SOFTWARE-----------------------
"
S537: "    ---------------------PRESENTS-----------------------

"
S538: "VIDEO WAIT SUCCESSFULLY ENABLED!
"
S539: "GL_VENDOR: ATI TECHNOLOGIES INC.
"
S540: "VIDEO MODE 640X480 TEXT_ONLY INITIALIZED."
S541: "
Quake 1.09 by id Software
IF Quake ported and compiled by jason bergman
http://www.loonyboi.com/
Type "Credits" for full list of credits.
"
S542: "write to"
S543: "read"
S544: "send message"
S545: "apply 'ofclass' for"
S546: ": 'create' can have 0 to 3 parameters only **]"
S547: "objectloop broken because the object "
S548: " was moved while the loop passed through it **]"
S549: ", which is not a valid ZSCII character code for output **]"
S550: "tried to print (address) on something not the "
S551: "tried to print (string) on something not a "
S552: "tried to print (object) on something not an "
S553: "give" or test "has" or "hasnt" with a non-attribute         on the
object "
S554: "recreate"
S555: "destroy"
S556: "copy"
S557: "copy"
S558: "set"
S559: "<unknown attribute>"
S560: "name"
S561: "create"
S562: "recreate"
S563: "destroy"
S564: "remaining"
S565: "copy"
S566: "call"
S567: "print"
S568: "print_to_array"
S569: "shootable"
S570: "blunt"
S571: "warned"
S572: "ewarned"
S573: "didjump2"
S574: "didjump"
S575: "deadsal"
S576: "numbuttons"
S577: "stairway1"
S578: "stairway2"
S579: "stairway3"
S580: "watercount"
S581: "meat"
S582: "firstrun"
S583: "candidblow"
S584: "button1"
S585: "button2"
S586: "secretdoor"
S587: "puddingt"
S588: "button3"
S589: "e1"
S590: "diff"
S591: "salc"
S592: "yard"
S593: "medcount"
S594: "latestdamage"
S595: "numgrunts"
S596: "fly"
S597: "multiplyer"
S598: "damage"
S599: "animate"
S600: "absent"
S601: "clothing"
S602: "concealed"
S603: "container"
S604: "door"
S605: "edible"
S606: "enterable"
S607: "general"
S608: "light"
S609: "lockable"
S610: "locked"
S611: "moved"
S612: "on"
S613: "open"
S614: "openable"
S615: "proper"
S616: "scenery"
S617: "scored"
S618: "static"
S619: "supporter"
S620: "switchable"
S621: "talkable"
S622: "transparent"
S623: "visited"
S624: "workflag"
S625: "worn"
S626: "male"
S627: "female"
S628: "neuter"
S629: "pluralname"
S630: "before"
S631: "after"
S632: "life"
S633: "n_to"
S634: "s_to"
S635: "e_to"
S636: "w_to"
S637: "ne_to"
S638: "se_to"
S639: "nw_to"
S640: "sw_to"
S641: "u_to"
S642: "d_to"
S643: "in_to"
S644: "out_to"
S645: "door_to"
S646: "with_key"
S647: "door_dir"
S648: "invent"
S649: "plural"
S650: "add_to_scope"
S651: "list_together"
S652: "react_before"
S653: "react_after"
S654: "grammar"
S655: "orders"
S656: "initial"
S657: "when_open"
S658: "when_closed"
S659: "when_on"
S660: "when_off"
S661: "description"
S662: "describe"
S663: "article"
S664: "cant_go"
S665: "found_in"
S666: "time_left"
S667: "number"
S668: "time_out"
S669: "daemon"
S670: "each_turn"
S671: "capacity"
S672: "short_name"
S673: "short_name_indef"
S674: "parse_name"
S675: "articles"
S676: "inside_description"
S677: "play"
S678: "Pronouns"
S679: "Quit"
S680: "Restart"
S681: "Restore"
S682: "Save"
S683: "Verify"
S684: "ScriptOn"
S685: "ScriptOff"
S686: "NotifyOn"
S687: "NotifyOff"
S688: "Places"
S689: "Objects"
S690: "Score"
S691: "FullScore"
S692: "Inv"
S693: "Take"
S694: "Drop"
S695: "Remove"
S696: "PutOn"
S697: "Insert"
S698: "EmptyT"
S699: "Give"
S700: "Show"
S701: "Enter"
S702: "GetOff"
S703: "Exit"
S704: "VagueGo"
S705: "Go"
S706: "LMode1"
S707: "LMode2"
S708: "LMode3"
S709: "Look"
S710: "Examine"
S711: "LookUnder"
S712: "Search"
S713: "Unlock"
S714: "Lock"
S715: "SwitchOn"
S716: "SwitchOff"
S717: "Open"
S718: "Close"
S719: "Disrobe"
S720: "Wear"
S721: "Eat"
S722: "Yes"
S723: "No"
S724: "Burn"
S725: "Pray"
S726: "Wake"
S727: "WakeOther"
S728: "Kiss"
S729: "Think"
S730: "Smell"
S731: "Listen"
S732: "Taste"
S733: "Touch"
S734: "Dig"
S735: "Cut"
S736: "Jump"
S737: "JumpOver"
S738: "Tie"
S739: "Drink"
S740: "Fill"
S741: "Sorry"
S742: "Strong"
S743: "Mild"
S744: "Attack"
S745: "Swim"
S746: "Swing"
S747: "Blow"
S748: "Rub"
S749: "Set"
S750: "SetTo"
S751: "WaveHands"
S752: "Wave"
S753: "Pull"
S754: "Push"
S755: "Turn"
S756: "PushDir"
S757: "Squeeze"
S758: "ThrowAt"
S759: "Tell"
S760: "Answer"
S761: "Ask"
S762: "Buy"
S763: "Sing"
S764: "Climb"
S765: "Wait"
S766: "Sleep"
S767: "Consult"
S768: "parse_input"
S769: "AskFor"
S770: "GiveR"
S771: "ShowR"
S772: "begin_action"
S773: "end_turn_sequence"
S774: "Diagnose"
S775: "damage_death"
S776: "Transfer"
S777: "dive"
S778: "jumpedUp"
S779: "JumpOn"
S780: "myhealth"
S781: "myscore"
S782: "isdead"
S783: "init"
S784: "turnaway"
S785: "pushed"
S786: "button"
S787: "Talk"
S788: "legible"
S789: "Version"
S790: "TraceOn"
S791: "TraceLevel"
S792: "TraceOff"
S793: "ActionsOn"
S794: "ActionsOff"
S795: "RoutinesOn"
S796: "RoutinesOff"
S797: "TimersOn"
S798: "TimersOff"
S799: "ChangesOn"
S800: "ChangesOff"
S801: "CommandsOn"
S802: "CommandsOff"
S803: "CommandsRead"
S804: "Predictable"
S805: "XPurloin"
S806: "XAbstract"
S807: "XTree"
S808: "Goto"
S809: "Gonear"
S810: "Scope"
S811: "Showverb"
S812: "Showobj"
S813: "Empty"
S814: "InvTall"
S815: "InvWide"
S816: "GoIn"
S817: "AttackWith"
S818: "Load"
S819: "God"
S820: "Noclip"
S821: "Unreal"
S822: "Zork"
S823: "blue"
S824: "Loony"
S825: "id"
S826: "sue"
S827: "summon"
S828: "shack"
S829: "Quake"
S830: "Carmack"
S831: "Credits"
S832: "Fly"
S833: "NoTarget"
S834: "Impulse"
S835: "Help"
S836: "Belch"
S837: "Health"
S838: "Suicide"
S839: "Stupid"
S840: "AttackAt"
S841: "JumpDown"
S842: "LetGo"
S843: "Receive"
S844: "ThrownAt"
S845: "Order"
S846: "TheSame"
S847: "PluralFound"
S848: "ListMiscellany"
S849: "Miscellany"
S850: "Prompt"
S851: "NotUnderstood"
S852: "task_scores"
S853: "the_timers"
S854: "inputobjs"
S855: "multiple_object"
S856: "kept_results"
S857: "pattern"
S858: "pattern2"
S859: "line_ttype"
S860: "line_tdata"
S861: "line_token"
S862: "match_list"
S863: "match_classes"
S864: "match_scores"
S865: "buffer"
S866: "parse"
S867: "buffer2"
S868: "parse2"
S869: "buffer3"
S870: "oops_workspace"
S871: "PowersOfTwo_TB"
S872: "LanguagePronouns"
S873: "LanguageDescriptors"
S874: "LanguageNumbers"
S875: "LanguageArticles"
S876: "LanguageGNAsToArticles"
S877: "StorageForShortName"
S878: "task_done"

[End of text]

[End of file]